In 1980 the artist and arthistorian Lars Vilks started to work on Nimis, a construction of driftwood and rests from the cutting areas. Nimis (lat. “too much”) is situated on the peninsula of Kullaberg in the south of Sweden – now an independent state Ladonia. When Vilks started to work with hammer and nail at Nimis his ideas were rather vague, but he had in mind to make a meetingplace between theory and practice.
(thank you Bengt)