Earlier tonight, I had the pleasure to enjoy an early screening of Cutie and The Boxer, a raw and moving documentary on DUMBO based artist couple Ushio and Noriko Shinohara. Congratulations to Zachary Heinzerling for so candidly capturing the struggles and joys of this couple. Cutie and a Boxer is a true reflection on love, sacrifice and the creative spirit.
I was moved to tears last night while watching this moment between the artist Marina Abramovic and her former love Ulay. Apparently they started an intense love story in the 70s and when they felt the relationship had run its course, they decided to walk the Great Wall of China, each from one end, meeting for one last big hug in the middle and never seeing each other again.
During her 2010 MoMA retrospective Ulay arrived without her knowing and this is what happened. Really moving.
Hotello is a portable space, containing all the necessary elements for a minimal room: a desk, a lamp, a stool, a shelf, a locker. Hotello consists of a metal structure that supports double curtains (translucent and sound absorbant) as well as all the furniture needed to work and rest. Designed by Roberto De Luca and Antonio Scarponi.
Paper Jam Press posters are hand-pulled through a Vandercook letterpress, set with turn-of-the-century gothic wood type. Each poster comes out just a little bit different, and Arianna Orland likes it that way. We do too.
In an email earlier today, our Tattly photographer Julia Robbs, told me about her brand spanking new site. (Which has a Tattly section! Yay!) The site is beautiful and shows what an incredible talent she is. But what got me most excited is the fact that she now offers the Double Vision photograph as a print. I think I might be developing a pigeon obsession.
The idea behind the Color Me ____ art exhibit at the Indianapolis Museum of Contemporary Art by Andrew Neyer and Andy J. Miller made me smile. Would love to use one of those giant markers and color on a wall.
He bought a potato and cut a notch on the top of it. Each cross section of the potato was then in the shape of a heart. For each artwork, he would cut a sliver of the potato away, added paint and made a print. The first ones were small hearts. The hearts got bigger until the thickest middle part of the potato and then again got smaller until there was nothing left of the potato.
Each print is unique as he made only one print per cut. The edition size was to be however many the potato would make. This potato made 32. He numbered the prints in order of printing so the first few (1 thru 3) and the last few (30 thru 32) were smaller hearts than the middle ones (15 thru 17). They were printed on Fabriano 4.5″x6.7″ (115x170mm) paper and are all signed and dated (all on the back).
(enter smile here) Makes me love him and his work even more.