Ever since I tasted a Cake Pop I have been wondering how to make them myself. That’s where the Cake Pops Book by Bakerella comes in. Ordered!
Observing people while they’re driving is, passing them on the highway, is one of my favorite things to do. It comes to now surprise then, that I am in love with photos of everyday people cruising the freeways of Los Angeles. You can buy the book here: Drive.
(via Brain Pickings)
I just stumbled upon an amazing collection of Book and Design related Flickr Sets by German based Design Professor Michael Stoll. This Bosch Fridge Manual Set from 1963 made me chuckle. Or check out this Flight Thru Instruments book from 1945, describing different (military) techniques of flight in a profusely illustrated manner. Or this Corporate Identity Brochure from 1972 about the City of Munich.
Now here’s a gem of a discovery that stopped me in my tracks this morning: Rare Book Feast is new short movie series about the timeless character of books. Their message and what they look like are what is celebrated here. Nate Burgos believes that as our culture becomes digital in a lot of ways, it is all the more important (not to mention inviting) to revisit and learn from the early design challenges, creative solutions and general lessons that the “old” print world keeps relevant.
Kicking off this series is the “World Geo-Graphic Atlas” (1953) designed by Herbert Bayer with Martin Rosenzweig, Henry Gardiner and Masato Nakagawa: 2,200 diagrams, graphs, charts, symbols spanning 368 pages about our planet earth. All done before computers.
I couldn’t help but chuckle when I discovered these Fake Books by Emanuela Ligabue. They are handpainted wooden blocks, made to look like a book. (Please everyone, let’s welcome Emanuela to the internet. She just launched her site *today*, oh, and she happens to be the mother of wonderfully talented Olimpia Zagnoli)
Don’t we all have a lifetime of dinner table photographs, each celebrating a holiday, birthday, or special event. Pictures that depict the same dinner table and usually the same cast of characters — family members, friends, neighbors. Combined, they create a seemingly never-ending scene. Colored dots represent the designer’s relationship to each person. I absolutely love this idea. Hat tip to Kim Bentley!
(thank you Kyle)
My studiomate William Burks Spencer recently finished a book about how to put together an advertising portfolio. In it, he interviews over 100 of the top people in the industry and asks them practical questions that a student or junior would have. You can check out his blog here or buy the book on Amazon.
The Line, the original a 10-meter-long drawing with 29 panels that unfold, accordion fashion, is Steinberg’s manifesto about the conceptual possibilities of the line and the artist who gives them life. His drawing hand begins and ends the sequence, as the simple horizontal line that hand creates metamorphoses into, among other things, a water line, laundry line, railroad track, sidewalk, arithmetic division line, or table edge; near the end, the curlicues etched by the iceskater’s blade remind us of the role calligraphy plays in Steinberg’s art.
I just got my copy of Uppercase’s Work/Life 2 today and couldn’t put it down for what seemed an eternity. The Uppercase Directory of Illustration features 100 illustrators from around the world, compiled in a beautiful design.
Here’s a flip through the entire book:
Help your luggage stand out from the crowd with these Penguin luggage tags available in two titles: On the Road, Jack Kerouac and The Lost Girl, D. H. Lawrence.
Steve told me about the concept of the site months ago and I have been anticipating this day, where I can share his wonderful idea. Steve approached highly respected members of the the design community and asked them to send in a list of books that had an important, meaningful, and formative impact on their lives. Books that have shaped their values, their worldview, and their ideas about design.
From Vitruvius to William Morris to Frank Lloyd Wright to Edith Wharton to Le Corbusier to Paul Rand—there has always been a particularly special and robust relationship between designers and books: reading them, writing them, designing them, collecting them, learning from them, and being inspired by them. Designers & Books celebrates that relationship.
Congratulations Steve! I am raising a glass of bubbly stuff.
While I am not all that crazy about quilts, this Robot Quilt by Boo Davis made me look and smile. It’s called “Does Not Compute”. Boo Davis shares the pattern and everything you need to know to make it in her book, “Dare to Be Square Quilting: A Block-by-Block Guide to Making Patchwork and Quilts.”
(How appropriate that the cover features an owl, my ‘obsession in the making!”)
In case your looking for an adorable ‘Christmasy Book’ for your little ones, have a look at The Christmas Giant by Steve Light. I’ts about Humphrey, a giant, and Leetree, his best friend, an elf. Together they love making wrapping paper for all of Santa’s presents. But this year Santa has asked them to grow a Christmas tree, and the pair couldn’t be more excited! They take great care with their project, planting and watering, snipping and pruning. Finally, the tree is wrapped and ready, and Humphrey and Leetree set off to deliver it. But when disaster strikes, the giant and the elf must come up with a way to make things right. From a small idea comes a big plan—and a surprise no one in Christmastown will soon forget!
Moggridge is a renowned interaction designer and the director of the Smithsonian’s Cooper-Hewitt, National Design Museum. The book features interviews with thirty-seven people who have made significant creative contributions to the design and development of media, ranging from the publisher of the New York Times to the founder of Twitter. Read more about the book here.
Watch the interview with Ira Glass below. Ira explains how he has perfected the art of narrative, hooking the listeners with an idea and keeping them engaged by the flow of events.
(I finally know what Ira Glass looks like! Yay!)
And below is an interview with Chris Anderson in which he expresses his confidence that the magazine format is here to stay, as long as it makes the most of the unique attributes of magazine design, energetically pursuing luscious images, diagrams, and illustrations, with dramatic layout and rich production values.