Less and More: The Design Ethos of Dieter Rams explores Dieter Rams’ work. #wishlisted.
Found it via Josh Clark’s List of Gifts for Designers, Nerds, and Mobile Mavens
UPDATE: I apparently didn’t properly credit the work: The invite was designed by studio Melangerie Inc and Lesley Weiner worked collaboratively on the design. And you can get your custom invite over at Etsy.
A little over a year ago three German students tested the design viability of a shiny black cube. They asked established designers and design critics to assess the cube. Above is the video with design legend Dieter Rams.
I agree with Steve Heller, you’ll never look at a cube the same way again (or will you?).
Read more: Daily Heller: In CUBE We Trust
UPDATE: They just launched their site: the-black-cube.com
While I am not crazy about the foul language in this stop animation, I am completely in love with the fact that Comic Sans fights back. The last sentence made me laugh out loud. The original monologue was written by Mike Lacher but the animation is by Joe Hollier who also created this amazing stop animation called My Visual Diary.
Don’t we all have a lifetime of dinner table photographs, each celebrating a holiday, birthday, or special event. Pictures that depict the same dinner table and usually the same cast of characters — family members, friends, neighbors. Combined, they create a seemingly never-ending scene. Colored dots represent the designer’s relationship to each person. I absolutely love this idea. Hat tip to Kim Bentley!
(thank you Kyle)
Are you a designer? Are you familiar with Method & Craft? If not, I would suggest you check out their site.
Method & Craft is run by a crazy talented bunch of designers (one of them is my studiomate) and features Articles, Interviews, Videos, and Notes. The Method & Craft articles focus on process and workflow of designers. Their interviews let designers discuss their approach & perspective in their own words. And their videos show the designer at work, sharing application-specific techniques. Needless to say, those are my favorites!
(kind of via chris glass)
This Should I Buy This Art? Project made me laugh. It’s meant to be a helpful tool for everyone involved in the currently ongoing art fair season here in NYC. Kelli made this paper-gizmo for Jen Bekman‘s 20×200 to distribute in their “Art Fair Survival” tote bags. Jen had the initial inspiration for a fortune teller and the entire office brainstormed on a theme, ultimately arriving at this question: “Should I buy this art?” Kelli worked that basic idea into a handy-dandy art market prognosticator, which will aid the user in making very expensive decisions about art… responsibly, of course.
I need the same answering the question: “Should I Blog This?”
Typefaces of the World is a poster Shelby White created to show the typefaces that are most commonly used in a lot of today’s design. The poster includes information for each typefaces such as the year it was made, the location and the typographer. These 50 typefaces were chosen based on popularity and usefulness in present design. It was by mere coincidence that the typefaces were nearly split 50/50 between Europe and the United States. But it does show that the most prominent locations for typographers were in these areas.
What a beauty! I would love to hang one of these in my studio. Shelby says he is toying with the idea of adding a store to his site. Let’s hope he does soon! Typefaces of the World! Wishlisted!
What visuals come to mind when you think of an investment fund? Clean, boring, blue (!) logos and websites? Yes. But you have to rethink that from now on. Check out this new investment fund called “Collaborative Fund” by Craig Shapiro. Not only am I am impressed by its mission but am floored by the awesome branding and website. (Check out the navigation!) Kelli Anderson is the mastermind behind it all. Check out her blog post about the design process.
From the TED archives: The legendary graphic designer Milton Glaser dives deep into a new painting inspired by Piero della Francesca. From here, he muses on what makes a convincing poster, by breaking down an idea and making it new:
Fundamentally I teach because it makes me feel good. It helped me certainly clarify my own objectives. There’s nothing more exciting than seeing someone’s life affected in a positive way by something you’ve said.
— Milton Glaser on why he teaches