If I had walls for artwork in my kitchen, I would order these typographic prints right now.
Le chef a toujours raison = The chef is always right
Pasta, Ti Amo! = Pasta, I love you
If I had walls for artwork in my kitchen, I would order these typographic prints right now.
Le chef a toujours raison = The chef is always right
Pasta, Ti Amo! = Pasta, I love you

Purchase this fantastic letterpress poster and 100% of the profits are donated to Acumen Fund‘s mission to end worldwide poverty. #ordered.
(via HolidayMatinee)
This Stay Hungry Stay Foolish Poster is a tribute to visionary people. Thanks Stewart Brand and Steve Jobs
(via The Next Web)
Issue #4 of 8 Faces is out! Yay! It’s quite an impressive line up in this issue:
With a cover by Jessica Hische, printed on metallic stock with white ink and foil-blocking, issue #4 features interviews with John Boardley, Craig Mod, Kris Sowersby, Doug Wilson, Nadine Chahine, David Březina, and Silas Dilworth and Neil Summerour of TypeTrust.
8 Faces Issue #4 features an introduction by Jon Tan, a review of Typography Sketchbooks, and web typography tips from Typekit’s Tim Brown. Every copy ships with an exclusive new catalogue courtesy of Typotheque. Ships mid-December.
I just spent a good 20minutes on typeeverything.com. Long live Typography.
Average Font by Mortiz Resl shows what a font would look like if it consisted of all typefaces installed on his system. Every character from a to z is drawn using every single font with a low opacity. In total there are over 900 typefaces in his library. And, he didn’t exclude the ‘ugly’ ones.
The Average Font is typographic poetry.
I am a big fan of all things Markus Raetz. The fact that he now made a Typographic Illusion Scultpure makes me swoon.
House Industries and Herman Miller are producing a limited edition series of 80 Eames wire-base tables (aka an LTR or Low Table Rod) that include A thru Z, numbers and ornaments from the Eames Century Modern font collection.
YES! YES! YES! Learn more here.
#wishlisted
I am thrilled that the Wood Type Revival store is now live and ready for business. Born out of Kickstarter: Wood Type Revival is printing rare historic wood type, and turning them into digital fonts for modern designers. And all you web designers will be happy to know that all WTR fonts are avaialable on Typekit for web use! YES!
Arianna of Paperjam Press just recently added a few more prints to her collection of hand pulled, short runs of words to live by.
Thinking of a Masterplan hangs above my desk and makes me happy on a daily basis. The Do Watcha Like made me chuckle. See them all here.
These birthday cards by 9SpotMonk made me giggle.
YES! Typekit just added another classic typeface to their catalog: Franklin Gothic URW. There has never been a more exciting time to be a web designer than *now*.

Typenerds that we are, we just launched four new type-driven Tattlys today: Make Change by Evan Huwa, Trouble Maker by Jim Datz, workisnotajob. by Catharina Bruns and the Deming letraset Tattly by studiomate Mike Fortress.
These letters make me happy. It’s a Screen Printed Letter Set by JP Boneyard Design and I want them all.
(via eighthourday)
The Stendig Calendar was designed by design legend Massimo Vignelli in 1966 and is part of the permanent design collection at the Museum of Modern Art. You can currently pre-order it over at Vetted.
(Thank you Antonio)
In episode 2 of Off Book, typeface designers Jonathan Hoefler and Tobias Frere-Jones outline the importance of selecting the right font to convey a particular feeling. Graphic designer Paula Scher talks about building identity in messaging, while Eddie Opara uses texture to create reaction. Infographic designers Julia Vakser and Deroy Peraza map complicated data sets into digestible imagery, mixing color, graphics and type.
(So excited to see our friends from Hyperakt featured. Well deserved!)
I admit, BeautifulSwearWords.com by Theo Olsen made me smile.


FontBook, the world’s most comprehensive typographical reference guide, is now available on iPad. If typography were a religion, this would be the Bible. FontBook™ is the world’s most comprehensive typographic reference tool, containing 110 typefoundries and featuring over 620,000 typeface specimens. Use the FontBook app to look up and view fonts by name, style category, typographical subclassification, designer name, foundry name, year of publication, or by similarity of design. Compile your own list of favorite fonts, and use the “compare” tool to test-drive fonts. Specially designed for fast, easy navigation and also works as a fun playground for finding inspiration.
Can’t wait to download this tonight when I get home!
While I am not crazy about the foul language in this stop animation, I am completely in love with the fact that Comic Sans fights back. The last sentence made me laugh out loud. The original monologue was written by Mike Lacher but the animation is by Joe Hollier who also created this amazing stop animation called My Visual Diary.
Takashi Kawada created an iphone app called Animal Font which lets you write out a message in animal shaped balloon typography and send it to friends via email.
(via spoon-tamago)