This hand-pulled screenprint by Kyle & Courtney Harmon *must* go up at Studiomates. Conan O’Brien is a wise man.
Sometimes you feel like you should be doing more. Other times you feel like the right thing to do is less. This letterpress print, by Jason Polan, helps once you decide which one to strive for.
Aura Seltzer pointed me her newly launched typographic dating game called TypeConnection that helps you how to pair typefaces.
Sentimental Journey is a typographic postcard project by poet Kate Camp, graphic artist Sarah Maxey and typeface designer Kris Sowersby. It’s a limited edition of 500. Printed by Freestyle Total Print in Wellington, New Zealand, 2011, on 300gsm Munken Pure.
Something I always suspected, now confirmed by Marc Johns: Asterisks are more dangerous than commas.
In case you keep forgetting where you live, you might want to get a Custom Family Pillow with your address on it. Great gift for someone that just recently moved.
For the past 10 years, Molly Moodward has been photographing environmental typography and organized her images by place and category on VernacularTypography.com. As of now, the website has over 5,000 images of urban typography from 10 different countries, including Argentina, The Bahamas, Chile, Cuba, England, France, Italy, Japan, Spain, and the US.
Molly just started a Vernacular Typography Kickstarter Campaign to help build up her digital archive. It’s a beautiful projects which helps preserve, and promote the vanishing examples of lettering in the everyday environment.
Totally backing this campaign. Join me?
Linotype: The Film is a feature-length documentary centered around the Linotype type casting machine. Called the “Eighth Wonder of the World” by Thomas Edison, it revolutionized printing and society.The film tells the surprisingly emotional story of the people connected to the Linotype and how it impacted the world.
Life is Beautiful is written with hundreds of knives stabbing the walls at the Pinault Foundation’s Palazzo Grassi, by Farhad Moshiri.
Wood type makes my heart beat faster! Check out these giant letter prints by Christie & Caleb, owners and operators of a small traditional letterpress company, located in the sunny South.
They recently were able to access three sets of rare and huge, antique wood type. These particular sets of type cam from a now defunct old print shop in Arkansas, where they were used to print giant Circus billboards in the 1940’s and 50’s!
The Big Letter Prints are printed on 140# cover, which is sturdy enough to lean on a shelf or mantle, or you can personalize your own words or phrases! Kids room, anyone?
If I had walls for artwork in my kitchen, I would order these typographic prints right now.
Le chef a toujours raison = The chef is always right
Pasta, Ti Amo! = Pasta, I love you
Issue #4 of 8 Faces is out! Yay! It’s quite an impressive line up in this issue:
With a cover by Jessica Hische, printed on metallic stock with white ink and foil-blocking, issue #4 features interviews with John Boardley, Craig Mod, Kris Sowersby, Doug Wilson, Nadine Chahine, David Březina, and Silas Dilworth and Neil Summerour of TypeTrust.
8 Faces Issue #4 features an introduction by Jon Tan, a review of Typography Sketchbooks, and web typography tips from Typekit’s Tim Brown. Every copy ships with an exclusive new catalogue courtesy of Typotheque. Ships mid-December.
Average Font by Mortiz Resl shows what a font would look like if it consisted of all typefaces installed on his system. Every character from a to z is drawn using every single font with a low opacity. In total there are over 900 typefaces in his library. And, he didn’t exclude the ‘ugly’ ones.
The Average Font is typographic poetry.