Life is Beautiful is written with hundreds of knives stabbing the walls at the Pinault Foundation’s Palazzo Grassi, by Farhad Moshiri.
Wood type makes my heart beat faster! Check out these giant letter prints by Christie & Caleb, owners and operators of a small traditional letterpress company, located in the sunny South.
They recently were able to access three sets of rare and huge, antique wood type. These particular sets of type cam from a now defunct old print shop in Arkansas, where they were used to print giant Circus billboards in the 1940’s and 50’s!
The Big Letter Prints are printed on 140# cover, which is sturdy enough to lean on a shelf or mantle, or you can personalize your own words or phrases! Kids room, anyone?
If I had walls for artwork in my kitchen, I would order these typographic prints right now.
Le chef a toujours raison = The chef is always right
Pasta, Ti Amo! = Pasta, I love you
Issue #4 of 8 Faces is out! Yay! It’s quite an impressive line up in this issue:
With a cover by Jessica Hische, printed on metallic stock with white ink and foil-blocking, issue #4 features interviews with John Boardley, Craig Mod, Kris Sowersby, Doug Wilson, Nadine Chahine, David Březina, and Silas Dilworth and Neil Summerour of TypeTrust.
8 Faces Issue #4 features an introduction by Jon Tan, a review of Typography Sketchbooks, and web typography tips from Typekit’s Tim Brown. Every copy ships with an exclusive new catalogue courtesy of Typotheque. Ships mid-December.
Average Font by Mortiz Resl shows what a font would look like if it consisted of all typefaces installed on his system. Every character from a to z is drawn using every single font with a low opacity. In total there are over 900 typefaces in his library. And, he didn’t exclude the ‘ugly’ ones.
The Average Font is typographic poetry.
I am thrilled that the Wood Type Revival store is now live and ready for business. Born out of Kickstarter: Wood Type Revival is printing rare historic wood type, and turning them into digital fonts for modern designers. And all you web designers will be happy to know that all WTR fonts are avaialable on Typekit for web use! YES!
In episode 2 of Off Book, typeface designers Jonathan Hoefler and Tobias Frere-Jones outline the importance of selecting the right font to convey a particular feeling. Graphic designer Paula Scher talks about building identity in messaging, while Eddie Opara uses texture to create reaction. Infographic designers Julia Vakser and Deroy Peraza map complicated data sets into digestible imagery, mixing color, graphics and type.
(So excited to see our friends from Hyperakt featured. Well deserved!)
FontBook, the world’s most comprehensive typographical reference guide, is now available on iPad. If typography were a religion, this would be the Bible. FontBook™ is the world’s most comprehensive typographic reference tool, containing 110 typefoundries and featuring over 620,000 typeface specimens. Use the FontBook app to look up and view fonts by name, style category, typographical subclassification, designer name, foundry name, year of publication, or by similarity of design. Compile your own list of favorite fonts, and use the “compare” tool to test-drive fonts. Specially designed for fast, easy navigation and also works as a fun playground for finding inspiration.
Can’t wait to download this tonight when I get home!
While I am not crazy about the foul language in this stop animation, I am completely in love with the fact that Comic Sans fights back. The last sentence made me laugh out loud. The original monologue was written by Mike Lacher but the animation is by Joe Hollier who also created this amazing stop animation called My Visual Diary.