Here’s an interesting interview with my studiomate Cameron Koczon. He is one of the geniuses behind Fictive Kin, TeuxDeux, and Brooklyn Beta and talks about entrepreneurship, creating the ideal workspace, and why his latest app GimmeBar will radically change the way we curate content online.
Whenever I spot an email from the oh-so-very-talented Zachary Lieberman in my inbox I pay attention. He just pointed me to the above music video he did with Olga Bell. The projections on her face are real-time and the visuals respond to her movement and the sound of her voice. You read right, no post-production effects were used in this video. Everything on the face is happening in real-time, via hacked Kinect, laptop and LED projector. It’s built using FaceTracker code from Jason Saragih.
Cool? Yes, very much so.
Adam Parks runs a site called The Illuminated Mixtapes. If features a series of mixtapes he put online for streaming, each including an illustrated cover.
(How much do I love the internets? It enables sharing and creating like nothing else. Yay Internet!)
This recording is from June 22, 1969 where Ella Fitzgerald performs One Note Samba with Ed Thigpen on drums, Frank de la Rosa on bass, and Tommy Flanagan on piano. I am happy that our little Ella shares her name with this amazing woman! (They almost shared the same birthday as well, they’re off by only 4 days)
(via Brain Pickings)
Is it me or is Astrud Gilberto completely emotionless during this performance? Nevertheless, I love the song.
(via byrd and belle)
At www.mta.me, Conductor turns the New York subway system into an interactive string instrument. Using the MTA’s actual subway schedule, the piece begins in realtime by spawning trains which departed in the last minute, then continues accelerating through a 24 hour loop. The visuals are based on Massimo Vignelli’s 1972 diagram.
(thank you Veronica)
Sometimes listening to the Candy Man Song is all I need to make my day a little brighter and take my mind of looming decisions. Here we go:
The Dow Piano audiovisualizes the ups and downs of 2010 into musical notes. Using a five-note scale spanning three octaves, pitch is determined by the daily closing numbers of the Dow Jones Industrial Average. The variance in volume mirrors the trading volume changes throughout the year. The notes are clustered in series of five, representing Mondays through Fridays. The weeks are punctuated, separated, and started by drum hits. Follow along with the graph to experience the market in a (somewhat) musical way. Created by Bard Edlund.
(thank you Dominique)
This clever music video for Atlanta based band, Vortex Park made me smile. Created by Alex Wolf. (Too bad for the ending though. They should have kept it in the browser window.)
(Thank you Matthew)
Milton Glaser is among the most celebrated graphic designers in the United States. He has the distinction of one-man-shows at the Museum of Modern Art and the Georges Pompidou Center. In 2004 he recieved the lifetime achievement award from the Cooper Hewitt National Design Museum. As a Fulbright scholar, Glaser studied with the painter, Giorgio Morandi. In 2010 Glaser was awarded the National Medal of Arts, he is the first graphic designer to receive this award.
Listen to Debbie Millman’s podcast Interview with Milton Glaser over on DesignObserver.
Simon Sinek has a simple but powerful model for inspirational leadership all starting with a golden circle and the question “Why?” His examples include Apple, Martin Luther King, and the Wright brothers — and as a counterpoint Tivo, which (until a recent court victory that tripled its stock price) appeared to be struggling.
Definitely a new favorite on my long list of TED talks.
After an entire year off air to launch the Masters in Branding Program at the School of Visual Arts, Debbie is returning to regular broadcasts and a full season of interviews with designers, artists, writers, thought leaders and general all-around provocateurs.
Design Matters began in February of 2005 with an idea and a telephone line. Mostly, she started out doing it for herself–she thought it would be a great way to ask her guests everything she wanted to know about their lives and their thoughts and their careers without seeming stalker-y. In the process, she realized the opportunity to share the insights of her guests with a listenership.
Friday marks the beginning of a new season on a new station as well. She will be recording her shows live in the brand spanking new recording studio at 132 West 21st Street in NYC—home of the Masters in Branding Program at the School of Visual Arts —and the shows will be aired at the regular time online: 3PM on Fridays. Design Observer will be broadcasting Design Matters, and you can listen to both the new episodes, as well as the entire archive of past shows here: www.designobserver.com.
Guests for for Season Six include Massimo Vignelli, Stephen Doyle, Eric Baker, Ralph Caplan, Marjan Bantjes, Kate Bingaman-Burt, Dominique Browning, Steven Heller, Alexandra Lange & Jane Thompson, James Victore, Tina Roth Eisenberg (gulp) and more…
Dan Benjamin, mastermind behind the fantastic interview show called The Pipeline, was so kind to ask me to be on his show. You can listen to our conversation on his site, here’s the direct link to the MP3, or if you prefer, in iTunes.
Dan, thank you so much for having me!
(Dan Benjamin was impressively persistent in trying to get me on his show. For some unknown reason, the concept of ‘recorded conversations’ makes me shiver, so I kept saying no at first. Dan kept at it and I am glad I agreed eventually. Dan has an amazing talent in making the person he is talking to feel comfortable. Hat tip to Dan’s interview skills.)
Here’s an interesting SXSW 2010 podcast with Jim Coudal and John Gruber in which they trace their history and share their experiences in how to make a living with running a blog.
How individuals and groups can maintain some shred of dignity and support themselves by creating ad and sponsorship programs that benefit and respect publishers, readers and advertisers. Presented by John Gruber of John Gruber of Daring Fireball and Jim Coudal of Coudal Partners.
Listen to the podcast here: Online Advertising: Losing the Race to the Bottom
(thank you Liz)
G, don’t be suprrised if I am banging on our Bonsai tonight when you get home: Music from a Bonsai by Diego Stocco.
Now that we’ve watched When I am 64 about a hundred times on YouTube, I think it’s time I purchase the Yellow Submarine DVD. Ella and I are equally amazed by the psychedelic graphics in this DVD. For those of you not familiar with this awesome animation, Yellow Submarine is a 1968 animated feature film based on the music of The Beatles.
And I thought this was an interesting fact from Wikipedia:
The animation of Yellow Submarine has sometimes falsely been attributed to the famous psychedelic pop art artist of the era, Peter Max; but the film’s art director was Heinz Edelmann. Edelmann, along with his contemporary Milton Glaser, pioneered the psychedelic style for which Max would later become famous, but according to Edelmann and producer Al Brodax, as quoted in the book Inside the Yellow Submarine by Hieronimus and Cortner, Max had nothing to do with the production of Yellow Submarine.
Poking. Friending. De-friending. Messaging. Posting. Tagging. Liking. Ignoring.
frog Senior Interaction Designer Kevin Hutchinson confesses that our social power is evolving due to our presence on online social networks because we are able to find, reach, and communicate with people at a greater speed. But with this new amplified social connectivity comes a new set of expectations for increased engagement. Social networking etiquette is still evolving and it can be difficult to decipher what is appropriate in this hyper-social online space.
Hutchinson believes that, we as social creatures, should take some cues from other forms of communication. You wouldn’t text, call, or knock on someone’s door several times a day to tell them how much you enjoyed what they were reading, doing, or saying, so why comment or “like”, everything they post on their Facebook wall. Right? How does one create social boundaries on their networks and how do we not take it so, er, personally when someone does not befriend us?
Listen to the show, over at designmind.frogdesign.com